![]() ![]() Rotation: 90 degrees clockwise -> ( y, -x), 180 degrees clockwise -> (*-x, -y*), 270 degrees clockwise -> (*-y, x*) If you wanted to translate an entire shape without using a graph, you would do this method with all of the necessary points of the shape. You would eventually end up with the translated point as (3, 3). In this scenario, you would add 1 and 2 to each of the point's coordinates making it look something like this: (1 + 2, 2 + 1). You can translate points and shapes in any direction using this key by adding or subtracting the distance moved.Įxample: Pretend that there is a point like (1, 2) and you want to move the point up 1 and to the right 2. Translation: Right/Up -> ( x + n, y + n) & Left/Down -> ( x - n, y - n) For the sake of this video, Sal used a graph to translate, rotate, and reflect the quadrilateral. There is another way-*algebraic representation. Sorry if this isn't a question, and I hope it helps! :) Because I think that this information is valuable for the KA community, I also decided to post my answer here. They are freeing themselves of each other, while still tied together.Hi! Someone down in the thread asked about other ways of translating, rotating, and reflecting points, and I answered their question. The outside, for so long, has defined what can be expressed by the internal. It is almost too much for the heart to keep up with. The reds and yellows radiate pain, through the back, the breasts, the hands. The crochet stitches build upon each other radially, a repetitive meditative act focusing on the body it is forming. It is warm and comforting, but also dense and heavy. ![]() The epidermic block is draped in a second skin, a crocheted blanket reflective of natural forms taken from the body. ![]() The self- imposed limitations and boundaries have been released to show the heart, the internal, in a much clearer light. By separating them, releasing the internal from its suffocating form, both sides are allowed to relax and expand. The two cubes fit, one inside the other like nesting matryoshka. On the right, the plastic is stretched to the cube frame, pulled thin like a skin. On the left, the cube swirls with internal energy, powering the beating heart. The process of carving these block prints was extremely cathartic because the satisfaction of violently slicing the block felt like it healed my own wounds as a result, like an inversion of the suffering cast on me. I wish to use these prints like a vessel or icon to contain those parts of me that are actively trying to subvert my mind and torture me. I have abstracted these anxious and toxic thoughts into compositions using sharp spindly house centipede legs and bodies because after living in a basement apartment during covid I became very familiar with those creatures and although I am terrified of house centipedes I also feel a strange kinship with them. The overall theme of these prints is my experience with developing anxiety and depression during the covid era and the continuous feeling of declining mental health now despite the fact I've been able to see all my friends and family much more often, which I foolishly thought would make my internal problems vanish, or at least subside a bit. As a cooperative people, this process of extrospection is how we ultimately begin to cooperate, heal, and grow through times of turmoil and uncertainty.” ![]() Regarding the conflict and chaos in Ukraine and the world right now, we hope that Translation-Tessellation also serves as inspiration for you to reflect on the lived experiences of those around you. This allows those close to them to enter an empathetic state that attempts to understand a life that they cannot and will not ever know. One of the most pertinent perspectives a creative has to offer is their own, baring themselves in the ways they alone know best. Entitled Translation-Tessellation, this show aims not only to present works born of each VA’s completely unique experiences, but also to both highlight the oft-repeated processes so prevalent in the development of a personal practice and offer style comparisons resultant of personal affinities and life paths. Presented in full focus in our second exhibition is the contribution of one’s ever-changing environment and continued personal discovery to their subsequent ‘voice’, both artistically and otherwise. “ Life imitates art imitates life imitates art imitates. Tessellation- repetitions and the equations that add up to form our lives. Translation - the process of turning parts of yourself into the physical realm through art. ![]()
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